In my opinion there
is no sweeter pitch than the curveball. The curveball is my bread & butter
pitch, the reason why I can be a washed up righty and still succeed on the
mound today. I throw several different types of curves depending on what I’m
looking to achieve with the pitch, like getting a smaller tighter break or
throwing a big slow looper to get a batter off-balanced. Once you can be
comfortable with the pitch and can throw it for strikes consistently, it can be
one of your greatest assets and a great addition to any repertoire.
When I played in
the youth leagues and in High School, I used the typical curve grip as shown
above. I never had too much success with it as I had just began to use it and
understanding how to get the tight over-the-top spin was just something I
couldn’t grasp. It took until at least my junior year of high school that it
started to come around. I had spent most of my time as a fastball/changeup
pitcher that throwing something totally different from the others took some
major adjusting. Like with any pitch, the curveball must be thrown with the
same arm speed and angle as your other pitches to be affective. Obtaining tight
forward rotation is also critical and determines how much break you’ll get on
the pitch. Once you become confident with it you can begin experimenting with a
little extra sidespin on the ball to get it to act more like a “slurve” thus
adding another element to your game.
In my late high
school and American Legion years I began using the Knuckle-Curve grip. I felt that
the grip allowed me to get a tighter rotation on the ball and have a bigger
break. Several famous big leaguers use this grip including Roy Halladay, AJ
Burnett, and Mike Mussina. Using both the regular grip and the knuckle grip I
was able to give batters several different looks and was able to go through
opposing lineups more times, keeping me in games longer.
The grip that I now
use is a modified version of one that newly elected Hall of Famer Bert Blyleven
used to make him one of baseball’s all-time greatest strikeout artists. I was
listening to a Twins broadcast one night in which Blyleven was explaining how
he threw his curveball. He explained that he tried to emulate Sandy Koufax’s “drop
ball,” and figured out how to achieve the same spin and break on the pitch.
After sending several emails out to Bert I was able to figure out how he held
the pitch. He explained that he pretty much held it like a two-seam fastball
but came over the top with the pitch to make it curve. After many afternoons
trying to achieve the same results I adjusted the grip slightly to my liking
and got a pitch that I can throw both fast or slow and get lots of break with.
When I throw it slow my teammates named it, “The Gravity Ball” as nothing that
slow could actually break on its own without gravity doing most of the work.
I always have fun
trying make batters look like fools with this pitch and if you’re not throwing
one already I think it’s about time you try. Hit me up with some questions or
comments and I would be glad to help any of you out.
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